Category Archives: Arts

Florence (the city, not my aunt)

While there’s no doubt that Florence is a heavily touristed destination (Ciao. Selfie stick?), it’s still an exceptional city. I had my first taste last fall, and this is the first chance I’ve had to write about it.

Florence’s most recognizable attraction is the Duomo di Firenze, also known as the Cattedrale di Santa Maria del Fiore (Saint Mary of the Flower). Although I’d seen dozens of photographs, I wasn’t prepared for the shear magnitude of this building, nor its architectural intricacy. It seems to have its own gravitational pull; no matter where you are or where you’re walking, somehow one always ends up on a path around this monumental structure.

I tend to do a lot of walking when I’m travelling, and so I tend to focus on architecture; however, on this trip I also spent time in galleries I’ve been wanting to see my whole life: the Uffizi and the Bargello. The Uffizi contains paintings that are familiar to most, even if one has never travelled to Florence; the Bargello contains statues I remember from my high school art history text. It’s a good idea to get tickets in advance, as these galleries attract crowds, especially during tourist season.

In the Piazza della Signoria, near the Uffizi entrance, is the Loggia della Signoria, containing numerous amazing statues. It’s best to go early to allow entrance into this free outdoor exhibit. This is also the square where Girolamo Savonarola held his bonfires of the vanities, burning books and other apparently sinful objects. It’s also where he himself was thoroughly executed in 1498.

Michelangelo’s David is synonymous with Florence. A copy of the original stands on top of the hill in the Piazzale Michelangelo, affording views of Florence from the less touristy side of the Arno. Another copy is situated outside the Palazzo Vecchio in the statue’s original position, near the Uffuzi. The original in the dell’Accademia is worth the effort to see (although beyond the Michelangelo gallery, I found little else of interest). The level of detail is exquisite and compelling.

I loved Florence, in spite of the tourists. I went in the fall, off peak season, so I can’t imagine what it would be like in the summer.

©Catherine Jenkins 2018 all rights reserved

Reading

Reading is a mythic symbolic act in which squiggles are assigned to letters to create words and sentences and paragraphs and meaning. It really is a form of magic. And like many things in this life, it’s possible to overdo it.

Although I could read fine, I didn’t become an engaged reader until my teens, mostly because I was bored with the books I was offered. In grade 8, I discovered S.E. Hinton’s The Outsiders, and never looked back. I devoured books by Erle Stanley Gardner, Agatha Christie, Ursula LeGuin, Lloyd Alexander, Johnathan Wydham, and H.G. Wells, before moving onto Kurt Vonnegut and Tom Robbins. By university, I was engaging with Philip K. Dick, Mary Shelley, Douglas Adams, Samuel R. Delaney, Delacorta, Italo Calvino, and The Tao Te Ching.

My MA focussed on hard boiled American fiction, mostly from the late 1920s to the 1950s. I was quietly in love with Raymond Chandler, while appreciating Dashiel Hammett’s edge, discovering David Goodis, Jim Thompson, Leo Malet, and others along the way. I read, re-read, and analyzed thousands of pages of fiction and criticism and philosophy over a six-year period. (Is that a record for a Master’s thesis?) Once the dust had cleared, I made the unsettling discovery that I couldn’t read any more. When I picked up even a magazine article, an anxious nausea welled up making me stop. This lasted about a year-and-a half. And then I got into Umberto Eco, James Joyce, H. Rider Haggard, Jeanette Winterson, Ali Smith, Kate Atkinson, Michael Cunningham, and Bruce Wagner.

When I started my PhD, I was unsure and concerned about what the renewed academic work would do to my reading (or writing). Because the research wasn’t literary, I wasn’t required to read fiction, and I think that helped. I did, of course, read reams of academic work, realizing that now I actually read this type of writing much faster than when entering a fictional world I want to savour.

Once the PhD was done, I started reading things with lots of pictures; National Geographic, Eyewitness Travel Guides, and comics (which have opened up a new research area for me). I started catching up on about ten years of missed TV and movies, thanks to the Toronto Public Library’s vast collection of DVDs (old school, but free!). One of the (many) series I discovered was Wire in the Blood, in which a forensic psychologist and a DI unravel and track down serial killers (you may be noticing a recurrent theme by now). Intrigued by the complex plotting, I discovered that the series was based on books by Val McDermid, so now I’m working through them. So thanks to picture books and DVDs, I’m reading books without pictures again, and looking forward to future discoveries.

©Catherine Jenkins 2017 all rights reserved

Summer in the City

Spring has given way to summer with a sudden shock of heat and numerous street festivals. While Toronto’s Pride Festival has grown over the years, this year we’re hosting World Pride (June 20-29) and expect to entertain over a million people! Some years, the popular Taste of the Danforth (August 8-10) has drawn over a million! Personally, I can’t handle crowds this big (unless I’m onstage!), so I get more enjoyment from smaller festivals. While festivals shut down roads, they make pedestrians (like me!) very happy. They offer an excuse to wander about, camera in hand, enjoying the day. During June, I’ve hung out at three such festivals.

The Annex Festival on Bloor was a neighbourhood street festival held between Spadina and Bathurst on the afternoon of Sunday, June 8. While there were food and craft vendors, demonstrations, music and kids’ events, it seemed a bit lack lustre. The late-afternoon rain probably didn’t help. No idea what attendance numbers were, but it’s a relatively small neighbourhood event.

Kids playing in the bouncy castle; Annex Festival on Bloor

Kids playing in the bouncy castle; Annex Festival on Bloor

Superman kneads dough at the Annex Festival

Superman kneads dough at the Annex Festival

 

 

 

 

 

 

The Taste of Little Italy was held the weekend of June 13-15 along College. I wandered its length from Bathurst to Shaw and back again early Saturday afternoon. It was notably busier on the way back, but I suspect it’s craziest in the evening. While I haven’t found attendance numbers, I suspect that over the three days attendance is in the hundreds of thousands, but it’s spread out both geographically and temporally, so it doesn’t feel particularly crowded. Similar to the Annex Festival, Taste of Little Italy has food and craft vendors, music, and stuff for kids; it’s simply more plentiful and splendid. Numerous restaurants along the strip extend into the street with portable kitchens, so cooking smells pervade the air. Bands play at four different venues throughout each day and evening, with music ranging from traditional Italian to rock; sometimes traditional dancers add to the festivities. At each end of the festival, away from the crowds, kids’ rides and amusement activities are set up. Because this year’s festival coincided with the FIFA World Cup, event organizers also constructed an enormous video wall inside a large licensed beer tent, so fans could come down and watch Italy play. Team jerseys were in evidence and clearly this year’s festival attracted lots of soccer fans. The highlight of my day was relocating Dolce Gelato so I could enjoy two scoops, one of cioccolato and one of pistachio Siciliano, a taste sensation I discovered with my Dad when I was seven and we were living in Rome.

Traditional dancing at the Taste of Little Italy

Traditional dancing at the Taste of Little Italy

Little Paco--an Italian soccer fan

Little Paco–an Italian soccer fan

 

 

 

 

 

 

Steam on Queen was the afternoon of June 21 at the historic Campbell House on Queen at University. As well as attracting vendors and entertainers, what I love about this festival is that it also encourages grown-up dress-up in vintage or steampunk fashion. While some of the vendors are local, many travel from out of province to sell their wares. Some sell vintage or handmade clothing, others sell jewellery or other trinkets handmade from repurposed watch parts and found objects. The entertainment is somewhat esoteric, including acrobatic rope work, belly dancing and a theremin player. Inside Campbell House, was a display of the inventions of R. Phinius Bodine (aka Russell Zeid, an educator from the Ontario Science Centre). Also on display inside Campbell House were some props and rushes from a remake of the 1927 Fritz Lang silent film Metropolis (at least that was my understanding… I might be wrong).

A dashing steampunk gentleman

A dashing steampunk gentleman

Very glad that this steampunk insect is caged!

Very glad that this steampunk insect is caged!

 

 

 

 

 

Not sure what mischief I’ll get up to in July, but I’m on the look-out!

Dr Zeid  accosted by one of his own weapons (by me!)

Dr Zeid accosted by one of his own weapons (by me!)

© Catherine Jenkins 2014 all rights reserved

Old Friends and New Transit

This is my update for Marpril (March and April), even if that does sound like an Agatha Christie heroine. It was an overly busy winter and between an out-of-town reading, researching and writing two articles for peer review, teaching five classes—oh, and trying to write my PhD dissertation—I kind of ran out of time to post anything in March. So this post, on the last day of April, will have to do double duty.

On March 10, I was in Ottawa. I was invited to read at the Carleton University Art Gallery for an event celebrating the work of Dennis Tourbin. I was flown in, put up at a hotel overnight, flown home, and paid a reading fee. Poets don’t usually get treated like that. I felt like a rock star.

The flight left from the Toronto island airport. Calculating transit and the half-hour buffer requested by the airline, I figured that leaving 90 minutes to travel the maybe 40 minutes to the airport, was ample. The subway, which had been closed for signal upgrades the previous weekend (I was travelling on a Monday morning) moved painfully slowly down the University line. I waited 20 minutes for the airport shuttle that runs every 15 minutes. I waited 15 minutes for the airport ferry. I arrived at the island airport as my flight was gunning down the runway. For the first time in my life, I actually missed a flight. They readily re-booked me, and another passenger, on the next flight to Ottawa. But seriously, there’s no way it should take 90 minutes to get from the Annex to the island. That’s longer than it takes me to get to Pearson International airport. It just shows how truly broken Toronto transit is.

My old friend Michael Dennis picked me up in Ottawa. When I hadn’t arrived as expected, he wondered if we’d missed each other, if we’d failed to recognize each other after so many years. But in fact, we recognized each other instantly. He drove me back to Kirsti and his house where we spent the afternoon talking. Their house is full of art. It made me realize that I need to get the art back up on my walls. I took it down to repaint a couple of years ago and still haven’t gotten around to putting most of it back up. I realize that this is part of why I feel somewhat dislocated these days. We picked up Kirsti from work and went for dinner, then on to the main event.

More than fifty people packed into a gallery full of Dennis’s work. I got to see folks I hadn’t seen in decades, folks from Ottawa and from Peterborough too. There was John and Terri and Billy the K, Grant and Rob, Gilles and Larry. I was only in Ottawa overnight, so wasn’t able to see Peter or Sandra or Stuart, but so happy to see the people I did see.

I hadn’t done a reading in a while, and it felt good. Mostly, I read Dennis’s work, adding a couple of my own poems about his death. Being there, reading that work, to a largely familiar audience, was incredibly moving. I was also humbled that Nadia, Dennis’s wife, enjoyed what I did and said that my reading of Dennis’s work gave her chills. That got me thinking about how we are, in sometimes unexpected ways, products of our mentors. I learned cadence and a lot more from Dennis, embodied it without realizing. I felt privileged to be part of this event. Thankful to Dennis for pulling us all together once again; he always did have that kind of magnetism, that light, that pulled people together, that ignited the room with joy. In addition to the artwork and the words, he also left behind a strong sense of community. Thank you.

Waiting to hear about the two articles I submitted. Just received proof pages for a peer-reviewed book chapter being published this fall. More on those happenings as news comes available. As of this morning, I’ve finished this term’s classes, grades are in, and I can relax about teaching for a while. I’m presenting at three conferences in May, two in Toronto and one a day-trip to St Catharines. Mostly, I’ll refocus on the dissertation over the next few months. Some events in the offing for late summer, but if I tell you now, it’ll spoil the fun.

© Catherine Jenkins 2014 all rights reserved

What I did on my summer vacation (and what gives me nightmares)

I remember dreading this first-day-of-school assignment, because we did the same thing every  summer. We went to the cottage, which I enjoyed on some levels, but it forced me away from my Dad and my friends, which I didn’t enjoy. I loved the daytime, being outside, swimming, lying on my grandmother’s quilts on the lawn reading comics and eating watermelon. But at night, the sheets were clammy with humidity and it was far too dark. Inevitably, I’d wake in the depths of the night, unable to see my hand in front of me, and get so scared I’d start crying. For years, all my nightmares were of being hunted by malicious forces at the cottage. Having spent months up there as an adult, I’m happy to report that the place of the cottage in my dream world has shifted to one of light.

This past summer, for the most part, I stayed in Toronto; the brief time I was at the cottage, my allergies were awful, so I avoided a prolonged stay. This summer’s highlight was certainly the band reunion, and everything leading up to and away from that.

In August, I made my annual foray to the Shaw Festival in Niagara-on-the-Lake (NOTL). I was late booking, so missed one play I wanted to see and was unable to book my usual B & B, although I did have a visit with Lynn, the owner. I had mixed feelings about my last-minute accommodations, but I enjoyed the birds’ nest behind one of the window shutters. The chatty chicks were nearly as big as their parents and beginning to venture into the huge maple a few feet away.

A small part of the Niagara peach harvest.

A small part of the Niagara peach harvest.

This year, I didn’t visit as many stores or spend much money, and I think I enjoyed NOTL even more as a result. For the first time, I was there during Peach Festival and I think that’s something I’d like to repeat. Three blocks of the main drag, Queen Street, were closed to traffic, allowing vendors to sell locally grown peaches and peach baked goods. In the evening, tables were set up along the street for gourmet dining and local wine sampling. The festival was alive with music; folk, rock, jazz, salsa—even bagpipes. The street felt very different, more relaxed, in part because I could wander back and forth as things caught my attention. The weather was fantastic, beautiful, clear and sunny. At one point, the local biker gang buzzed through town, about thirty of them, so hard not to notice. An interesting contrast. Lots of people were out enjoying the weekend; I even saw Shaw Festival actor Patrick Gallaghan out with his wife buying baked goods.

I’d intentionally left my Saturday evening free, thinking I might indulge in a gourmet meal. But I didn’t feel like it, so instead, I went on a Ghost Walk of NOTL with Lady Cassandra. This was a significant year for such a walk, as it’s the 200th anniversary of the War of 1812. For six months during 1813, the Americans occupied this small, but strategic, town, then called Newark. This summer, NOTL flew the vintage fifteen-star American flag alongside the Canadian flag, to mark the anniversary. Historically, there’s a lot of pain in this soil. When the Americans left, they razed the town, leaving about 400 residents, mostly women, children and the elderly, without shelter in December. Many froze to death. This cruel civilian attack was condemned by both the British and Americans. It also laid the course for reprisals, including the burning of the original White House. While the town was rebuilt, many lives were lost, some brutally, during the war years. And the losses didn’t end with the conclusion of that war. The room I stayed in is occasionally haunted by its former occupant, a young woman who committed suicide after her American husband was killed at the Battle of Gettysburg in the summer of 1863 during the American Civil War. Abagail reportedly doesn’t haunt romantics, so I was left in peace, however, those of you who know me well know that I’m highly impressionable when it comes to spooky stuff. I don’t do horror movies because the images haunt me for weeks or even months. Needless to say, I didn’t sleep well and yes, I had to check under the bed a couple of times because I kept getting flashes from an Evil Dead movie trailer.

Self-portrait in Abagail's Rest. Spooky.

Self-portrait in Abagail’s Rest. Spooky.

And, oh yeah, I went to three plays. With the number of actor friends I have, I’m embarrassed to admit that I’d never seen the classic, Guys and Dolls. I was surprised that I knew at least half the score. Although I’d heard Bugs Bunny described as a Damon Runyon-esque character, I’d never understood the parallel until seeing this play. Wow. Talk about a culturally influential show! Peace in Our Time, a later Shaw play, wasn’t, in my opinion, one of his best. Although full of social and anti-war comment, it lacked the level of wit I generally associate with GBS. It felt very heavy handed and static. Oscar Wilde’s Lady Windermere’s Fan, on the other hand, was lovely. A thrilling satire that skewers Victorian morals, it contains such immortal lines as: “I can resist everything except temptation” and “We are all in the gutter, but some of us are looking at the stars.” I really enjoyed the acting, staging and costumes in this production. The music choices between acts were…unexpected: Velvet Underground’s “All Tomorrow’s Parties,” Rufus Wainwright’s “Art Teacher” and Katy Perry’s “Firework.” While I kind of understood the significance of the first two, the final choice seemed to overwhelm the play’s finale, but that is a minor complaint. If you want to visit Shawfest, all three plays continue into mid-October or early November.

This was the second time I took transit to NOTL and it just doesn’t work well, so I’ll probably go back to renting a car. The GO schedule doesn’t take curtain time into consideration, so play-goers may have to cab it from either St Catharines or Niagara Falls. Of course, the  other advantage of a car is that I can stock up on local fruit and wine before heading back to the city.

Morning Glory

Morning Glory

At home, my balcony garden really took off this year. As well as violas, morning glories, marigolds, portulaca, begonias, impatiens, and sweet potato vines, I tried a gerbera daisy for the first time. It’s been sending up bright new blossoms all summer. The quality and range of floral colours have been lovely and it’s been really gratifying to have bees visiting my sixth-floor balcony. Additionally, I tried growing vegetables this year. I started them indoors from seed, probably a little late. I have about a dozen tomatoes, half-a-dozen cucumbers, and an uncertain number of peppers coming along. It was more successful than my previous attempt at a balcony vegetable garden, and I learned a few things, so plan to try again next year.

CNE midway at dusk

CNE midway at dusk

My friend James and I made our annual pilgrimage to the Canadian National Exhibition (CNE) and did some of the usual things and a few new things. We saw an intimate performance of the Flying Wallendas’ high-wire act. We missed the Super Dogs, so we checked out the miniature horses instead. We also walked through the cat show, which consisted of a variety of over-bred felines, mostly sleeping in their carriers. I was really taken with the Savannah cats, until I found out that they’re a cross between a wild serval and a domestic cat, only recently accepted as a new breed. Although a striking and affectionate cat, I don’t know why people can’t just leave wild cats alone to do what they do in their natural habitat. I was also really glad to see a large booth for Ninth Life Cat Rescue, an organization that rescues cats from death row in shelters, housing them until they can be adopted. If you’re considering feline companionship, personally, I think adopting from a shelter is a more responsible way to go. We wandered through the international pavilion, watched people on midway rides, and, after much consideration, I ate a deep fried Mars Bar, which I thoroughly enjoyed.

In other news, I completed the revised draft of Pairs & Artichoke Hearts. I got some great feedback from one of my first readers, and there’s some further work I’d like to do before sending out queries. I was also able to get back to writing my PhD dissertation; last year’s car accident did a number on my cognitive abilities, among other things, but I feel like my head is finally fully back in the game. I drove for the first time since the accident, even at night and in the rain, and nothing bad happened. I attended four funerals and a wedding, the ratio perhaps a sign of age. I did some non-academic reading, including Haruki Murakami’s 1Q84 (all 925 pages), as well as some hybrid hardboiled science fiction, and some comic books. I went to a few movies, notably Red 2, Iron Man 3, and Joss Whedon’s Much Ado About Nothing.

I took more time off than I’d intended, but the upside of that is now I’m eager to get back to schoolwork! And that’s a good thing.

© Catherine Jenkins 2013